Ideas: Making Connections:


Help Tamara build bridges through music

An ongoing experiment: can our community’s collective brainpower help an idea become reality?

Meet Tamara

Tamara Turner follows the beat of her own drum – literally and figuratively. Her passion with music began when she was five years old composing piano pieces in her hometown of Fort Collins, Colorado. Tamara hasn’t skipped a beat as an adult, dabbling in everything from film scoring to music journalism, and studying a wide range of musical styles from West African drumming in Ghana to tin whistle in Ireland to Gnawa music in Morocco.

Most recently, Tamara graduated from Boston’s Tufts University with a masters degree in ethnomusicology. There, she helped organize a “Music and Islam” symposium where, by connecting with the local Moroccan community, she brought in a Moroccan band to host workshops that culminated in a big concert. For Tamara, music plays a critical role in challenging the Islamophobia she often comes across in the U.S.

“Because music has the ability to build connections artistically, creatively, and emotionally, it gives us an opportunity to lead with the heart, transcending the medium of ‘discourse’ and offering a different kind of relationship with which to understand others,” she says.

The intention

Broadly speaking, Tamara envisions an organization that utilizes music for cultural advocacy, outreach, and education, starting with but not limited to the music and cultures of North Africa. One of the first issues she would like to address through musical bridges is Islamophobia.

The idea is two-fold: Similar to the program she helped organize at Tufts, she wants to connect with local immigrant communities in the U.S. to help share their music through concerts, education, and more. Travel is also key, as she’d like to work in North Africa to help record and archive musical traditions.

Besides fostering cross-cultural understanding, and of course, celebrating the inherent joy that music brings, Tamara also hopes to counter the exotification of non-Western music cultures that can sometimes result, however well-intentioned.

“That’s part of the vision, too. Not just piecemealing and romanticizing certain elements of other cultures, but allowing ourselves to be challenged by and uncomfortable with differences as well,” she says.

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Tamara learning the guimbri with her teacher, Abdellatif El Makhzoumi, in Marrakech, Morocco. (Photo via Tamara Turner.)

Obstacles

So far, Tamara has been researching similar organizations around the world and is in the process of refining her idea.

Here are some challenges she has identified:

  1. Reaching out to immigrant communities in the U.S. seems clear cut to Tamara given her experience, but incorporating the North African component is both nebulous and daunting.
  2. She doesn’t want to reinvent the wheel, and is considering becoming involved with an existing organization or program at first.
  3. Although she’s been encouraged by the nonprofits she’s been in touch with, she always hears a version of the same story: “Contact us after you get funding.”
  4. Sustaining enthusiasm and momentum around the idea after it’s no longer fresh is a concern.

How you can help

  • Do you know of any similar organizations or programs to add to her list?
  • Besides initiating conversations, is there more she can be doing to get her foot in the door with people who are already doing similar work?
  • How can she inspire the average person to get outside their comfort zone and, for example, be open to new music from the Islamic world?
  • For music fans and non-music fans alike, what are some other effective and fun outreach strategies besides concerts?
  • Aside from major cities, are there other areas in the U.S. that could benefit from such an organization?
  • What are some potential funding avenues she should pursue?
  • How can she best balance her vision with logistics, and prevent getting so bogged down with logistics that her vision deflates?
  • If you’ve started your own nonprofit, would you be willing to share your story and the lessons learned?

Leave a comment below or send her a message through Idealist and if the project progresses, we’ll keep you posted!

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Do you have an idea that’s just starting to brew? If you’d like us to consider posting it as part of this series, email celeste [at] idealist [dot] org.

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Help Melanie empower youth through theatre

An ongoing experiment: can our community’s collective brainpower help an idea become reality?

Meet Melanie

For Melanie Lockert, who grew up singing in the choir and performing high school plays in Los Angeles, theatre is the one place where she can really be herself. But the business side  — auditioning, networking, etc. —  has left Melanie feeling increasingly disenchanted as an adult. “I don’t believe the system functions in a way that is conducive to self-esteem and communication,” she says.

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Animal exercises with third graders at Harlem’s PS 175. (Photo via Melanie Lockert.)

So when she began practicing Theatre of the Oppressed with youth at Brooklyn’s Falconworks Artists Group, she knew the focus on individual experiences as a catalyst for social change would restore her faith in the art form.

“Theatre of the oppressed doesn’t shut out anyone. It doesn’t say your experience is wrong and my experience is right. Everyone can be an actor,” she says. “ It’’s a mobilizing tool for people who have never spoken in public and who have never expressed issues in a safe environment where they can feel comfortable playing.”

The intention

Melanie recently relocated to Portland, Oregon after getting a Masters in Performance Studies at NYU. While in New York, she taught theatre at PS 175 in Harlem with the New York City Mission Society and before that, managed art programs for underserved youth in Los Angeles. She wants to draw from her experiences teaching and work with this same population to create plays based on issues they or their communities face.

“It’s a way to open up a dialogue about what these young people want, and what they want out of their lives, addressing some of the things they want to see change in their community,” she says.

Obstacles

Melanie is currently in the planning stage. Here are some challenges she has identified:

  1. As a newcomer to Portland, Melanie is struggling to connect with organizations whose constituents could benefit from theatre of the oppressed.
  2. Finding people is one thing. Locating a space where they could practice and perform poses another logistical consideration.
  3. When she’s not playing with a local theatre company, Melanie is actively seeking full-time employment and volunteering opportunities with arts organizations, both of which have been difficult and detract her from focusing on the project.
  4. Like most people with an idea, Melanie continually fights the doubtful voice inside her head: What if this isn’t a good idea? Is such a program necessary? Give up the dream and focus on making a living instead?

How you can help

  • Do you have advice for overcoming paralyzing doubt?
  • How can Melanie start meeting the right people who would be interested in making this idea happen?
  • Do you know organizations in Portland working with youth (or women) that might be interested in having Melanie teach a workshop at night or on the weekends?
  • How she can find a free or low-cost community space that would host the program?
  • If she wanted to scratch working with organizations all together, how could she recruit youth by herself? What would be the legal logistics to consider?

Leave a comment below or send her a message through Idealist and if the project progresses, we’ll keep you posted!

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Do you have an idea that’s just starting to brew? If you’d like us to consider posting it as part of this series, email celeste [at] idealist [dot] org.

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Idea File: Storytellers on loan at the Human Library

The idea

A female firefighter who rappels out of helicopters and slogs through swamps to help people in distress. A woman who has provided foster care to over 200 troubled teens in her lifetime. A young Somali man who escaped his country’s civil war, won a scholarship to a Canadian university, and now helps refugees.

They, along with others, have volunteered to be on loan at Surrey Libraries in British Columbia as part of the Human Library, an event where people become living books.

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The Human Library is as straightforward as it sounds: instead of grabbing a book off the shelf, you sign out a person and listen to them tell tales for a couple of hours. Think audio book, but with a handshake (or better yet, hug) at the end.

This notion of bringing books to life began twelve years ago with a Denmark youth organization that wanted to challenge prejudices. The idea has since been adapted around the world, and can now be found in over 45 countries.

Why we’re adding it to the Idea File

  • New take on an old concept. Libraries everywhere have gone through many transformations (books rescued from the trash in Bogota and traveling donkey libraries in Ethiopia come to mind), and the Human Library further proves these institutions aren’t dying, but rather, evolving.
  • Respects and appreciates diversity. Everyone has a story to tell. People of all experiences, ages, and backgrounds are encouraged to participate, tapping into the knowledge and expertise of the local community.
  • Encourages empathy. We read to immerse ourselves in other contexts and see the world from someone else’s point of view. When talking to living books, you might find that your similarities thread you together, instead of your differences.
  • Values real-time conversation. With eBooks, iPads and everything in between dominating much of our time today, being able to look into someone’s eyes and connect around our humanity is refreshing.
  • Adaptable in many contexts. The concept doesn’t have to be limited to an actual library: it could work at schools, festivals, government offices, corporations, and more. Depending on resources, it could also be an ongoing program or a once-in-a-while event.

How you can replicate it

The folks who created the first Human Library want nothing more than for you to borrow their idea. They’ve already done a lot of the initial legwork for you; their website has a guide for organizers in eight different languages, sample evaluation reports and forms, tips for readers, and more.

Interesting fact: the first Human Library took place at a music festival in Denmark. (Photo via Ravi Basi.)

We also reached out to Ravi Basi, one of the organizers at Surrey Libraries, to hear her advice for people looking to start a Human Library where they live. Here’s what she had to say:

Finding living books

  1. Use your own networks. Relying on unsolicited offers from the public is too random and complicated of an approach. Instead, gather recommendations from staff, community agencies, colleges, and nonprofits in addition to scanning local newspapers.
  2. Set your criteria from the beginning. Living book volunteers at Surrey Libraries, for example, had to have a story to tell, good communication skills, be personable and friendly, and understand the concept and goals of the Human Library. If they met this criteria, they then went through an interview process.
  3. Incentives, while not necessary, are nice. The living books will probably be enthusiastic and eager to participate. But still, to show gratitude, you can do things such as offset parking costs, provide lunch and snacks, and give gift bags.

Organizing the event

  1. Start small. Rather than hosting a day-long event, try an afternoon or evening event of four hours. Learn the glitches, and then improve next time around.
  2. Allow readers to pre-register. To ensure the living books aren’t left without readers, devise a registration system where people can sign up for time slots in advance.
  3. Have a back-up plan. Err on the side of having an abundance of living books and line up spare readers to account for no-shows.

“Anyone who plans or participates in the Human Library will find it to be a valuable, even profound experience,” says Ravi. “It’s worth doing.”

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If you’re inspired to bring the Human Library to your community, feel free to email Ravi for more advice: rkbasi@surrey.ca.

 

Do you know of other projects that are fun and potentially replicable? If you’d like us to consider posting it as part of this series, leave a comment below or email celeste [at] idealist [dot] org.

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Is your organization making a difference?

Just about everyone with an interest in nonprofits wishes for greater information about their effectiveness. Unfortunately, with millions of nonprofits around the world addressing everything from advanced cancer research to preschool enrichment programs, it’s been challenging developing metrics and processes that provide reliable measures of their successes.

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How are you measuring your organization's success? (Photo credit: Ms. Tea, Creative Commons/Flickr)

Of course, various groups have been pushing for ways to solve this problem: Foundations ask for progress reports; government contractors ask for tallies of service units; academic researchers design double-blind studies and look for control groups. Yet a challenge with these approaches is that they are designed to give outsiders – funders, government agencies, the general public – tools to evaluate a nonprofit’s work, or even compare performance among nonprofits. We are still left wondering: are these approaches making it easier for board members and staff to develop a thoughtful and ongoing way to assess the impact of the organization’s work? Do they understand their role in the organization’s challenges and successes?

A project developed by the BBB Wise Giving Alliance, GuideStar USA, and Independent Sector is looking to address these questions by helping nonprofits evaluate themselves, starting with their leaders. Charting Impact challenges board members and key staff members of nonprofits to ask themselves five questions, and to be candid when publishing the results. The questions are general enough to work no matter what the goal and to fit organizations of any size. Already groups as diverse as the Food Bank for the Heartland [PDF] in Omaha, Nebraska, and the American National Red Cross [PDF] have completed the process and have their Charting Impact Reports online for anyone to see.

The five questions are:

  1. What is your organization aiming to accomplish?
  2. What are your strategies for making this happen?
  3. What are your organization’s capabilities for doing this?
  4. How will your organization know if you are making progress?
  5. What have and haven’t you accomplished so far?

While there’s certainly value in answering these questions, the real innovation in Charting Impact comes in the setup and sharing: organizations answer the questions online and can share their initial responses with up to 10 stakeholders who give anonymous feedback. The result is a personalized report that crystalizes your work, goals, and impact and includes the input of your community.  Organizations that have adopted the Charting Impact approach say that some of that feedback has been really useful in sharpening the descriptions of their work and refining the measures they use to track their own progress.

Because Charting Impact is co-sponsored by Independent Sector, Guidestar, and the Better Business Bureau’s Wise Giving Alliance, organizations that complete the Charting Impact process can have their finished report published on-line at various websites that are often used by donors, foundation staff, and people interested in the program.

What do you think? Will this change the way nonprofits examine and share their effectiveness? Has your organization tried this? Share your thoughts below.

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Help Shannon connect youth in the U.S. and Afghanistan

An ongoing experiment: can our community’s collective brainpower help an idea become reality?

Meet Shannon

Shannon Mouillesseaux is from a town in upstate NY that has one traffic light, one gas station, one grocery store, and one bank. “It is a rural community that, when I was growing up, was primarily inhabited by farmers and blue collar workers,” she says.

With few opportunities for high school graduates, Shannon had a fleeting moment when she considered joining the military in high school after being repeatedly targeted by recruiters. While some of her classmates opted to don camo, she realized the military wasn’t for her.

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Faced with increasing college costs and decreasing economic opportunities, more and more teens are considering military service after high school: http://to.pbs.org/teensmilitary. Photo via Creative Commons (Flickr user Frank Juarez).

Wanting desperately to study anthropology, Shannon instead attended university and spent her junior year in Nepal. There, she was exposed to the trafficking of women and girls, an eye-opening experience that was the catalyst for her eventual work with refugees at the United Nations.

Her experiences with displaced communities around the world have exposed her to the plight of those most affected by war. Yet, back home, she was struck by the (mis) perception that violence is the only answer to violence. After 9/11, Shannon frequently heard variations of the phrase “Let’s blow them off the map” in her hometown. When she would suggest engaging in dialogue as an alternative response, she often felt inaccurately viewed as anti-American.

“The fear that has arisen within our culture, leaving many people afraid to experience other countries and cultures for fear of falling victim to a terrorist attack is, for me, worrying,” she says.

The intention

Her solution to alleviating some of that fear and violence? Pen pals for the digital age.

Specifically, Shannon envisions a two-fold project for youth in the U.S. and overseas who may not have the opportunity to travel. The first component, which she would pilot in her hometown and in Afghanistan, would connect “at-risk American students of all ages via video conference with displaced communities abroad” throughout the school year. The second would send high school students to safe, developing countries during thesummer to help out with humanitarian projects. Ideally, this would happen after the children have established relationships.

Sometimes her work takes her to IDP (internally displaced persons') camps like this one in Kabul, where she hopes to pilot the program. (Photo via Shannon Mouillesseaux.)

By creating a link between communities affected by war, Shannon hopes this type of cross-cultural exchange will help young people understand each other’s lives better and ultimately contribute to promoting peace on an individual level – even when governments are at odds.

Obstacles

Shannon is still refining her idea. Here are some challenges she has identified:

  1. Working in an office with other collaborators would be one thing. Going at it on her own is very different. Without support and a more formal infrastructure, Shannon is unsure how to take the next step to give the project momentum.
  2. Getting the language right is critical. She’s concerned that the project might be seen by some in the U.S. as anti-patriotic.
  3. She has lots of questions about how to incorporate this into a school curriculum and, separately, the implications and logistics of sending teens abroad.
  4. Like most projects out there, finding the right funders is a challenge.

How you can help

Shannon would love to see this idea grow and succeed. Can you offer her any advice?

  • Are there similar long-term projects or programs that appeal to students of all ages?
  • Do you know of any projects or programs that could offer insights, best practices, and/or lessons learned?
  • If you are a student, parent, teacher, and/or refugee, what aspects of these ideas appeal to you? What concerns come to mind?
  • Regarding sending teens abroad: Does the program need to be entirely separate from the school system, so that the school is not responsible legally? If so, how can Shannon ensure that both she and the project are protected?
  • Do you know of a rural community that might benefit from this type of project?
  • What other funding sources might want to help get a project like this off the ground?
  • If you’ve successfully launched a project, what piece of crucial advice would you share?
  • Would you like to help?

Leave a comment below or send her a message through Idealist and if the project progresses, we’ll keep you posted!

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Do you have an idea that’s just starting to brew? If you’d like us to consider posting it as part of this series, email celeste [at] idealist [dot] org.

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Idea File: Pitch your idea at a "Sunday Soup" potluck

Today’s idea funding model

The idea

Food + creativity = community. That’s the concept behind Sunday Soup, a micro-granting model that brings together those with a taste for innovative ideas and the people who want to help fund them.

Here’s how it works: a local group organizes an affordable meal. People pitch their ideas for a creative project during the course of the gathering, with attendees voting on who to give the proceeds of the meal to. Think Kickstarter, but offline and with good grub.

So far, the network has collectively granted almost $60,000 to initiatives around the world such as an art project that transforms abandoned signs in Albuquerque, NM; a documentary featuring children’s thoughts on the political situation in Egypt; bike taxis in Toledo, OH; and more.

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Photo of Detroit SOUP event by Vanessa Miller.

Why we’re adding it to the Idea File

  • Cheap and easy. While it’s the meal that brings people together, the idea is that it should be low-cost, like soup.
  • Circumvents bureaucracy. The people who decide which idea will benefit your community are the ones you pass in the street everyday – not foundation officers whom you might never meet.
  • Increases supporters. Don’t lose, schmooze. Even if your project doesn’t win the cash, it’s a great opportunity to make contacts – maybe even an employer or new flame. And, Amy adds, getting your project funded from a Soup event also gives you a leg up when applying for funding elsewhere.
  • Awesomeness awareness. There are probably a gazillion good ideas waiting to be discovered where you live; why not get them all out in the open?
  • Adaptable in many contexts. The model is flexible and Sunday Soup encourages you to adapt it, taking regional and cultural quirks into account.

How you can replicate it

First, see if one already exists where you live. If not, and the 63 groups from the U.S. to South Korea to Ukraine have whet your appetite, check out Sunday Soup’s tips for getting started.

We also reached out to the folks at Detroit SOUP, who’ve helped other SOUPS in Michigan and across the U.S. get up and running, to hear their tips on how to make your group a success.

Here’s what Lead Coordinator Amy Kaherl had to say:

  1. Don’t restrict the types of projects. Allow everyone from business entrepreneurs to artists to activists to pitch their ideas to keep the discussions and voting process interesting. Here are the Detroit project proposal guidelines.
  2. Know what’s affordable and what’s not. Detroit SOUP, for example, charges $5 per plate so as to include as many community members as possible.
  3. Ask for help. Local restaurants, gardens, farms, and friends might be happy to donate food.
  4. Proposals first, dinner second. People are more likely to converse and exchange ideas when there is a point of connection.
  5. Stay informed and curious. Listen to the community’s needs, and cultivate an environment where people are encouraged to ask questions.

“Don’t be afraid to fail either with the dinner or with the projects,” Amy finally says. “When things break down, we all learn from one another about what to do and not to do.”

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If you’re inspired to bring Sunday Soup to your community, feel free to email Amy for more advice: detroit.soup@gmail.com.

Do you know of other projects that are fun and potentially replicable? If you’d like us to consider posting it as part of this series, leave a comment below or email celeste [at] idealist [dot] org.

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A happy Happy New Year

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Is your community's "happiness flag" showing signs of wear and tear? (Photo: Rachel Kramer, Flickr/Creative Commons)

How happy are we?

Most everyone would agree that being happy is a good thing—along with the coming of spring, a robust economy, and clean air to breathe. For most nations, there are detailed, current statistics about the weather, the state of the economy, and the atmosphere (not to mention many other things). Statistics about happiness are a little harder to come by.

The government of the Himalayan Kingdom of Bhutan has made it a priority to measure “Gross National Happiness” as a summary of national wellbeing. Since 2005 a national effort has been underway to assess not just economic activity in the nation (“Gross National Product” in economist-speak), but to attend to data from eight other “domains” that impact people’s lives, such as health, education, community vitality, and cultural resilience. The website GrossNationalHappiness.com provides the official explanation of the project and reports on the results of the calculation of Bhutan’s Gross National Happiness Index for 2010.

There is no such national index for the USA so far. In my hometown, Sustainable Seattle is using the concept to develop a happiness index for communities. The idea is to supplement its other initiatives and build a long-term future of health and well-being. The project has two components: a set of objective statistics that create a profile of a region’s progress toward meeting goals related to sustainability, and a personal happiness survey that anyone can take. At the end of the survey, each respondent’s answers are compared to the overall response from all survey-takers. Food for thought as a new year begins.

No such thing as personal happiness?

For his 2008 book The Geography of Bliss, reporter Eric Weiner visited nine varied countries, looking for the happiest place on earth. He found some very disappointing spots, including one place where people “derive more pleasure from their neighbor’s failure than their own success. I can’t imagine anything less happy.”

In contrast, when he talked with Bhutanese scholar Karma Ura, he heard “There is no such thing as personal happiness. Happiness is one hundred percent relational.” Weiner reflected: “At the time I didn’t take him literally. I thought he was exaggerating to make his point…But now I realize Karma meant exactly what he said. Our happiness is completely and utterly intertwined with other people: family and friends and neighbors and…people you hardly notice. Happiness is not a noun or verb. It’s a conjunction. Connective tissue.”

This general point is repeated over and over again in the literature. Arthur Brooks, President of the Heritage Foundation, concludes his book “Gross National Happiness” with a quick review of social scientists’ results demonstrating that all sorts of activities that benefit others—from the most direct sorts of help to family and friends to the abstractions of making donations to help people in far-away lands—are closely related to general feelings of happiness and well-being.

Five steps to happiness

In the UK, a study for the National Health Service called Five Ways to Well-Being concluded that these simple steps would improve people’s lives in measurable ways (and sharply reduce the risks of mental illness too!):

  • Connect with the people around you
  • Be active
  • Take notice of what’s around you
  • Keep learning
  • Give

How will you do these things in the coming year?

Not to toot our own horn too loudly, it still bears saying that Idealist.org offers lots of opportunities for doing all five. Just a few minutes clicking through listings in your community, or in your area of interest, or for the sorts of things you want to do will turn up things to do and places to go.

With your personal profile from Sustainable Seattle’s survey in front of you, and some reflection about the Five Ways to Well-Being, Idealist’s listings are one way to make sure you have a happy Happy New Year.

Best wishes for 2012 from all of us!

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Idea File: CNN Hero saves lives with bars of hotel soap

Put Barber translated this post, originally written in Spanish by Elena Martin for Idealistas.org.

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Image via The Global Soap Project. Click to learn more.

Two million children die every year just from a lack of basic sanitation. Meanwhile, in the United States alone, more than 800 million bars of soap are discarded annually after they have been partially used in hotels. Derreck Kayongo, an Atlanta resident—who happens to be a Ugandan refugee and the son of a soapmaker—recognized in these two extremes an opportunity. So he founded the Global Soap Project.

Derreck’s parents were displaced by the tyranny of Idi Amin in Uganda, so he knows about the extreme conditions faced by the millions of people in IDP and refugee camps around the world. When Derreck came to the U.S. and first saw how much soap went into the trash after just one use, he asked “Is it like this in every hotel?” The answer changed his life.

In the U.S. today, volunteers in every part of the country assist by collecting bars of used soap and getting them to Atlanta, where they are cleaned, melted, and made into long rolls of soap. These are then cut, packaged in boxes, and distributed in many new countries with the support of other organizations. And now, more than 100,000 bars of reclaimed soap have been distributed to different parts of the world. Learn more about Derreck’s story via CNN Heroes.

Bubbling over with excitement? Visit the Global Soap Project to find out how you can get involved. Or search Idealist.org for keywords like sanitation, refugees, and hygiene.

What are your favorite examples of everyday people who, like Derreck, spotted a need and an opportunity, and found a way to do much more with the resources around us?

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Worth-y collaboration: Our Goods, Freecycle, and GiftFlow

I’ve spent the last few weeks falling for Trade School, a series of classes anyone in NYC can lead and/or attend in exchange for almost anything. As an instructor, you sign up to teach a course and provide a list of desired barters from students. Students then sign up to attend with their barter of choice. One day I traded cooking lessons for a class called “Knitting for artists and thinkers”; another, a list of five documentary film pitches for a class called “Producing a documentary from scratch.”
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Of course, you can always barter on your own, too. Photo via Flickr user Irina Slutsky (Creative Commons)

The model doesn’t just foster collaboration that isn’t based on monetary worth; it also prevents waste by reusing, sharing, and offering goods – both tangible and intangible. A similar creative dynamic of exchange is what drives the nonprofit Freecycle, a grassroots movement of people who are giving (and getting) stuff for free in their communities. Yet another network of reciprocity is supported by GiftFlow, an online gift community supported by a social network. It’s much like a virtual free store, with the benefit of user profiles that help people build reputations for generosity.

I’m super bummed that the 2011 Trade School season has drawn to a close. But its host organization, Our Goods, makes sure that the community lives on. Anyone can join any of these sites to participate in the regular flow of object, skill and space exchanges. People trade/give everything from dog-walking for acupuncture, to good handwriting for home-brewed beer. And the in-person meetups won’t be limited to just NYC; folks are starting Trade Schools in Milan, Italy; Charlottesville, VA; and soon, London!

I’m smitten with all of these simple, replicable, sustainable concepts, and with the people they attract. Have you heard of other models like these where you live? If so, can I come visit?

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Idea File: Mapping Kibera and other slums

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Kibera photo by khym54 (Flickr/Creative Commons)

Today’s idea: Map Kibera

For many of us, all it takes is a few clicks to find out what’s nearby. The first thing I do when I’m restaurant hunting, for example, is go to Google Maps. Same goes for when I’m traveling.

But there are still areas that literally aren’t on the map. Nairobi’s slum Kibera, for example, was displayed as a forest on official documents until late 2009 when a group of volunteers set out to change this. Realizing the tremendous value a simple map could have for this city within a city, the group trained Kenyan youth in GPS and data editing. The result was an ever-evolving digital map that displays all of the community’s resources – hospitals, schools, food kiosks, gas pumps, Internet cafes, and more.

Why we’re adding it to the Idea File

  • Community empowerment. The tool taps into one of our basic human needs: recognition. Instead of focusing on a lack, why not create a map that highlights existing assets?
  • Practical resource. The map increases residents’ knowledge of the area, thereby increasing access to resources.
  • Stake in own development. While the initial idea was from non-Kenyans, it was the local youth who implemented the project. From the process they learned concrete technical skills and built a sense of ownership.
  • Open technology. The platform accounts for rapid changes; anyone can go in and update the map.

How you can replicate it

First, see if the need for a digital map exists. If it does, participants can identify starting reference points, such as existing paper maps or firsthand knowledge. A clear view from space using Google MapMaker also helps.

You’ll need a lot of people to capture all the resources. Reach out to community members via traditional word of mouth, or through social networking sites such as Facebook. Once you have the information, a good tool to use is OpenStreetMap. For easy editing, MapQuest is surprisingly complementary.

Throughout the process, engage residents in its creation and provide opportunities for learning. Let the community take ownership; if you’re an outsider, they, not you, should be in charge of the map’s maintenance.

Caveats and considerations

Because creating the map ideally involves a lot of people, the potential for mistakes can be huge. But if it’s a peer reviewed process, where people are constantly checking to make sure the data is correct, then the mistakes can be lessened.

Once the map is completed, it can be a challenge to make the up-to-date version accessible for those who don’t have access to the Internet, or whose knowledge is sparse. One possible option might be to put an editable version of the map on residents’ mobile phones.

What else can you do after the map has been filled in? There are plenty of initiatives to glean lessons and inspiration from: Ladies Mapping Party, Ushahidi, Groundcrew, GeoCommons, Crowdmap, Managing News, and DC Foodshed just to name a few. Any others come to mind?

Written with the help of Scott Stadum, User Engagement Analyst for the Sunlight Foundation.

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